Entertainment

Robert Pattinson’s A24 Crime Thriller Officially Removed From Over 2,500 Theaters

Nairavoice · Oct 25, 2026 · 5 min read

Robert Pattinson has spent the last few years proving that he’s one of Hollywood’s most interesting leading men, whether he’s putting on the cape and cowl in The Batman or getting involved in increasingly strange situations in movies that probably wouldn’t have been made by most major studios. But his latest collaboration with A24 might be one of his most unusual projects yet, taking audiences back to the early days of reality television and one of America’s most controversial television personalities. And while the movie made a strong start at the box office, its theatrical run is now coming to a rather sudden end.

Primetime has now officially lost 2,573 theaters from its peak of 2,894 locations, with the A24 crime thriller now playing in just 321 theaters across North America. The film stars Pattinson as former To Catch a Predator host Chris Hansen. Primetime is inspired by the real-life events which surrounded Hansen’s dual attempts to expose predators while also building a television empire for himself. But when the biggest and most high-stakes entrapment of his career goes sideways, that dream of fame starts to look further away than ever.

The film is directed by the acclaimed Lance Oppenheim. The cast includes Pattinson, alongside Skyler Gisondo (Superman), Phoebe Bridgers, Matthew Maher (Our Flag Means Death), Merritt Wever (Unbelievable), and Bokeem Woodbine (Fargo).

Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.

You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.

You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
You find purpose inside the work itself, not in the chaos surrounding it.
You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.

You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
You care about patients as individual human beings, not as cases to solve or dramas to live through.
You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
ER is television about endurance. You have it.

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.

You feel things fully and form deep attachments to the people you work with.
Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
It’s messy at Grey Sloan. You would not have it any other way.

You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.

You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
You work best when the stakes are highest and the standard answer is wrong.
Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
The only way forward here is to think harder than everyone else in the room. That is exactly what you do.

You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.

You are warm, self-aware, and funnier than most people in your field.
You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.

Was ‘Primetime’ a Box Office Success?

Don’t let the declining numbers fool you, though. This has been a big hit for A24. The movie opened with $18.8 million domestically, an impressive result for an R-rated crime drama with a reported $15 million production budget. Its second weekend brought in another $7.7 million, followed by approximately $4 million in its third frame, and $1.7 million in its fourth. By October 18, the film had earned approximately $45.3 million domestically, with its worldwide total approaching $50 million.

The film was Certified Fresh on Rotten Tomatoes, with 86% from 243 critic reviews. To the surprise of nobody, particular acclaim went to the performance of Pattinson, who is on a generational run at the moment, while Oppenheim’s dream-like and colorful direction was met with slightly more divisive takes.

Primetime is playing in select theaters, with a digital release scheduled for November 3.