Jenna Ortega and Natalie Portman’s Twisted New Crime Comedy Officially Unleashes Its Trailer

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For the gallery owner at the center of The Gallerist, getting people through the door is going to become a problem once they start looking too closely at the exhibition. Natalie Portman plays a woman whose financial survival depends on impressing the right people, and an accidental death presents her with an appalling solution. There is an audience for everything, apparently, if you can find someone willing to call it art.

Jenna Ortega joins Portman in the dark comedy from Cathy Yan, the filmmaker behind Birds of Prey. The setting trades Harley Quinn’s Gotham for Art Basel Miami, where an invitation, a wealthy buyer, or the right introduction could change someone’s career. Portman’s character needs that break badly enough to gamble on people being more interested in discovering something provocative than asking where it came from.

Roadside Attractions and Vertical have released the official trailer for The Gallerist, which opens in theaters on December 4, 2026. The movie follows an ambitious gallery owner facing mounting financial hardship after a nasty separation. Desperate to establish herself among the elite, she conspires to pass off an accidental corpse as the centerpiece of her debut exhibition. The resulting attention brings influencers and police into an increasingly precarious situation.

With The Life of a Showgirl getting an encore edition this week, the era
argument is live all over again. Here is yours, what it says about you, and the case for it being
the best one she has made.

You are the reinvention. 1989 is the record where she walked away
from the thing that made her famous and rebuilt everything from scratch, and it worked so
completely that people forgot there had ever been a risk.

• You are at your best when you have decided to become somebody slightly new, and you
  commit to it in public.
• This is the album that won her a second Album of the Year, making her the first woman
  ever to take the award twice.
• The era ran on friendship and the city, and you are the one who organises everybody and
  then gets photographed doing it.
• Your risk is the same as the album’s, which is that the polish can start doing the work
  that honesty used to.

You are the one who stopped explaining. Reputation arrived after
a year of being written off, with almost no interviews and no attempt to be liked, and it
turned out that saying nothing was the loudest available option.

• You go silent when you are hurt, and people mistake that for weakness right up until it
  is very clear that it was not.
• She released it with no press campaign at all, which had never worked for anybody and
  worked enormously here.
• The joke about this album is that half of it is armour and the other half is the softest
  love songs she had written.
• You would rather be underestimated than misunderstood, and you keep receipts on
  everybody either way.

You are the quiet one who was paying attention the whole time.
Folklore appeared with less than a day of warning, made entirely indoors, and swapped
autobiography for invented characters who somehow felt more personal than the real ones.

• You process things by writing them down or turning them into a story, and you would
  rather be read than watched.
• It won Album of the Year at the 2021 Grammys, her third, and it was made by people who
  never shared a room.
• The teenage love triangle running across three songs is the most fun anybody had with a
  tracklist that decade.
• You notice the small thing in a room that everybody else walks past, and you will still
  be thinking about it next week.

You feel everything at maximum volume and you have never
apologised for it. Red is the messiest album she has made and the one most people love best,
because it is the sound of somebody refusing to be reasonable about how much something hurt.

• You hold onto things, you replay them, and you can still describe a conversation from
  years ago line by line.
• All Too Well became a ten minute song and a short film she directed herself, and it went
  to number one anyway.
• The whole record is autumn, and you are the person who treats a season like a
  personality trait.
• Nothing here is cool and that is the point, which is why it has aged better than almost
  anything around it.

What Is Natalie Portman and Jenna Ortega’s ‘The Gallerist’ About?

The horrible appeal of the premise is that her scheme requires people to look directly at the evidence and admire it. A successful exhibition means drawing a crowd, generating conversation, and persuading potential buyers that they are witnessing something important. Every part of doing her job well also increases the likelihood that someone will recognize what she has done. For a woman already struggling to maintain appearances, publicity could become considerably worse than obscurity.

That makes the Art Basel setting more than an expensive backdrop, because the story puts financial desperation inside an environment built around exclusivity and perceived value. Portman’s character is trying to secure her place in that world while her personal circumstances threaten to expose how tenuous her position is. Her gamble depends on being able to sell the story around the centerpiece, even as the police threaten to supply a much less flattering interpretation.

The ensemble gives Yan plenty of personalities to bring into that disaster. Alongside Portman and Ortega, The Gallerist stars Sterling K. Brown, Daniel Brühl, Charli XCX, Zach Galifianakis, Da’Vine Joy Randolph, and Catherine Zeta-Jones. Yan wrote the screenplay with James Pedersen, and Portman also produces. The Gallerist premieres in theaters on December 4.

The Gallerist