‘Twilight’ Officially Takes Over Netflix a Week Before Halloween

Hannah covers horror, sci-fi, and games at Collider, where she writes news and features, reviews new releases, and interviews the people who make them. She’s helping build out Collider‘s gaming coverage, with Pokémon as one of her specialties. If she isn’t writing about a monster, she’s probably watching one on a tape from her VHS collection.

Nearly 18 years after Kristen Stewart first arrived in Forks as Bella Swan, Twilight still has an audience willing to follow her into the woods. Catherine Hardwicke‘s adaptation of Stephenie Meyer‘s novel introduced Stewart’s Bella Swan to Robert Pattinson‘s Edward Cullen, setting up a romance that would carry five movies. The sequels expanded their supernatural world, but the first movie remains a particularly atmospheric watch for October.

There is something especially fitting about revisiting its rain-soaked setting as Halloween approaches. Edward’s attempts to resist Bella’s blood give their courtship an underlying threat long before another vampire makes her their target. Even with its familiar dialogue and much-discussed baseball sequence, the movie finds room for genuine menace, particularly when Bella encounters someone with no interest in protecting her.

With Halloween just one week away, Twilight remains a hit on Netflix in the United States. The movie placed No. 6 on Netflix’s official U.S. movie chart for October 12–18, marking its seventh total appearance on the weekly list. It also held the No. 7 spot on the U.S. daily chart on October 23, according to FlixPatrol’s rankings archived by StreamScope. Those placements extend the movie’s October streaming success as viewers head into the final stretch before Halloween. The renewed attention follows the entire saga’s return to Netflix on October 1. All five movies arrived together, allowing U.S. subscribers to continue directly into New Moon after finishing the original. For anyone planning a full Twilight marathon, that also means the story is available through both parts of Breaking Dawn.

Four of the largest communities on the planet, and four completely
different reasons to belong to one. Here is yours, what it would give you, and the argument you
would be having within a week.

You belong to the fandom that is really about comfort. Hogwarts
works on people because it is a place rather than a plot, and the pull is not the wizard war
so much as the corridors, the food, the weather and the sense that somebody is expecting
you.

• You are drawn to belonging, which is why this fandom sorted itself into houses within
  about five minutes and has never stopped.
• This is the most social of the four, and the one most likely to know which type every
  single person in your life would be.
• The books are built to be reread rather than analysed, and rereading is exactly what you
  do with things you love.
• The new HBO series is bringing the whole thing back one book at a time, which means the
  arguments are about to start all over again.

You belong to the deepest fandom on this list, the one where
somebody has always read further than you and is quietly delighted to say so. Middle-earth
rewards patience more than any other world in popular culture.

• You like the sense that the story you are reading is only the visible part of something
  enormous, which is precisely how Tolkien built it.
• This fandom takes adaptation seriously to a degree that other fandoms find slightly
  alarming, and it has good reasons for that.
• Your favourite thing about the books is probably the bit that is not action at all,
  which is the walking, the songs and the long goodbyes.
• Nobody here thinks heroism belongs to the powerful, and the whole story exists to make
  that argument.

You belong to the loudest and largest tent of the four, the one
where three generations are all watching the same thing and none of them agree about any of
it. That disagreement is not a flaw in this fandom, it is the main activity.

• You want something you can share with absolutely everybody, from a six year old to a
  grandparent, and this is the only one on the list that really does that.
• Nobody argues like Star Wars fans argue, and the argument has been running since roughly
  1980 with no sign of resolution.
• The pull here is sensory before it is narrative, since it is the sound design, the score
  and the look of a used and dented galaxy.
• You would be first in the queue, in costume, with strong opinions and a genuinely good
  time.

You belong to the thinking fandom, the one that turns up for the
argument rather than the explosion. Trek has always been a series of ethical problems in
space, and the people who love it love being asked what they would have done.

• You are an optimist in a way that is currently unfashionable, and this is the only major
  franchise still willing to say the future might be better.
• The best episodes are the ones where nobody fires anything, which is a sentence that
  makes perfect sense to this fandom and to nobody else.
• Starfleet Academy brought the franchise back to a classroom in 2026, which is
  appropriate, because Trek has always been a bit of a seminar.
• You would want the conversation afterwards more than the episode itself, and here you
  will always find somebody willing to have it.

‘Twilight’ Still Has More Stories Coming to Netflix

• Image via Summit Entertainment

• Image Via Netflix

• Image via Summit Entertainment

• Image via Summit Entertainment

• Image via Summit Entertainment

Image via Summit Entertainment

Image Via Netflix

Image via Summit Entertainment

Image via Summit Entertainment

Image via Summit Entertainment

• Image via Summit Entertainment

• Image Via Netflix

• Image via Summit Entertainment

• Image via Summit Entertainment

• Image via Summit Entertainment

Image via Summit Entertainment

Image Via Netflix

Image via Summit Entertainment

Image via Summit Entertainment

Image via Summit Entertainment

The original movie’s appeal owes plenty to Hardwicke’s approach to the material. Her version of Forks feels damp and isolated, making Bella’s fascination with the Cullen family easier to understand. Stewart and Pattinson give their scenes an awkward intensity that suits two people struggling to make sense of an attraction neither can comfortably explain. It also helps that the first movie keeps its central danger personal. Before the saga moves into larger conflicts between vampire factions, Bella is a teenager discovering that the person she wants to be closest to could kill her. The confrontation with James gives that fear a physical form, bringing the romance into a more direct survival story.

Netflix’s relationship with the franchise also extends beyond hosting the movies. The streamer ordered an animated adaptation of Midnight Sun, Meyer’s companion novel that revisits the first book from Edward’s perspective. Casting developments reported earlier this year offered another sign of progress on the project, which will return to the beginning of Bella and Edward’s relationship through a different character’s eyes. For now, the original movie is giving Netflix subscribers another reason to revisit Forks. Its continued chart presence puts a familiar vampire romance among the service’s most-watched movies as October draws to a close.

Twilight and its four sequels are streaming on Netflix in the United States.

Twilight