Hannah covers horror, sci-fi, and games at Collider, where she writes news and features, reviews new releases, and interviews the people who make them. She’s helping build out Collider‘s gaming coverage, with Pokémon as one of her specialties. If she isn’t writing about a monster, she’s probably watching one on a tape from her VHS collection.
Before Alan Ritchson became Jack Reacher, Tom Cruise took a turn as the former military investigator who never stays in one place for long. His casting divided fans of Lee Child’s novels, but the resulting movie has plenty going for it, including Rosamund Pike, a nasty villain played by Werner Herzog, and a murder investigation that gives Cruise more to do than throw punches.
Released in 2012, Jack Reacher was written and directed by Christopher McQuarrie, who later directed Cruise in four Mission: Impossible movies. Their work here is a good reminder of how much Cruise can do with a smaller action thriller. If you know the character through Prime Video’s series, his first big-screen case is worth a look.
Jack Reacher begins streaming free on Tubi in the United States on Sunday, November 1. The movie joins the platform’s November lineup, giving viewers a way to watch without a paid subscription. It is another streaming stop for Cruise’s first Reacher outing, which has continued finding audiences years after its theatrical release. Based on Child’s novel One Shot, the movie opens with a sniper attack that leaves five people dead. Police arrest a former military sniper who asks them to find Reacher. Working alongside defense attorney Helen Rodin (Pike), Reacher begins examining a case that initially looks straightforward. The more he learns, the less comfortable he becomes with the evidence.
Four action series. One of them is built around exactly the way you
handle pressure, people, and a room that has just gone very quiet. Here is where you would survive
the trilogy, and probably headline it.
You are precision with a grudge. You don’t posture, you don’t
escalate, and you don’t warn anybody twice. That is exactly why the people who know you are
so careful never to be the reason you start.
- The Wick films run on discipline: an underworld with actual etiquette, a hero who
honours every rule of it, and a world that unravels the instant someone breaks one
against him. - You share that quality. You are extraordinarily reasonable right up to the line, and
then completely immovable past it. - Focus, commitment and sheer will. You’d be the one carrying grief through three sequels
and turning it into technique rather than noise. - People wouldn’t call you dangerous. They’d say your name quietly and let that do the
work.
You understand the thing the whole franchise is secretly about:
the cars are spectacular, but the crew is the point. You collect people, you keep them, and
you’d drive through a building for any one of them.
- This series went from street racing to orbit without ever changing its actual subject,
because loyalty scales and plot doesn’t have to. - You have the same instinct. You build a family out of whoever turns up, and then you
defend it past the point of reason. - You’d thrive here because the franchise rewards exactly your strengths: warmth, nerve,
an absolute refusal to leave anyone behind, and a relaxed relationship with physics. - The mission can wait. The barbecue cannot.
You over-prepare and then take the dangerous part yourself
anyway. It looks like control, but it’s really responsibility. You have never worked out how
to ask somebody else to carry the risk.
- This is the franchise of the plan that collapses on schedule: the team, the mask, the
rooftop, and the one person sprinting flat out because sprinting is all that’s left. - You share that refusal to accept an outcome. Told the odds, you treat them as an
administrative error. - You’d thrive here because these films reward competence and loyalty in equal measure.
The mission matters, but nobody on the team gets left on the wrong side of a door. - Some people delegate the cliff. You have never once been that person.
You are not the most trained person in the building, the best
equipped, or the one anybody would have picked. You are simply the one still standing at the
end, which turns out to be the only qualification that matters.
- Die Hard invented the modern action hero by making him mortal: outgunned, out-planned,
bleeding, and extremely funny about it. - You share that stubbornness. Adversity doesn’t make you noble, it makes you sarcastic,
and then it makes you unstoppable. - You’d thrive here because these films reward improvisation and nerve over preparation,
and you’ve never had the luxury of preparing anyway. - You didn’t want any of this. You just declined to be the person who let it happen.
‘Jack Reacher’ Gives Tom Cruise a Different Kind of Action Hero
<<img src="https://static0.colliderimages.com/wordpress/wp-content/uploads/2024/08/jack-reacher-tom-cruise.jpg?q=70&fit=crop&w=825&dpr=1" />
Image via Paramount Pictures</figure>
Cruise’s Reacher is a smug bastard, and the movie knows that is part of his appeal. He will give someone every opportunity to walk away from a fight, but he clearly enjoys being proved right when they refuse. Cruise is good at making that arrogance fun to watch, especially when Reacher’s opponents realize they should have listened. He also has Richard Jenkins, David Oyelowo, Jai Courtney, and Robert Duvall to work with, though Werner Herzog nearly steals the movie as the Zec. Casting Herzog as a crime boss is already an excellent decision. Giving him a speech about what he did to survive a Soviet prison makes it even better. His delivery is so matter-of-fact that the story becomes more disturbing as he tells it, and he barely seems to consider it worth mentioning.
Jack Reacher streams free with ads on Tubi beginning November 1. For viewers introduced to the character through Ritchson’s television portrayal, it is a chance to see what Cruise brought to the role years prior.
Jack Reacher
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