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<figure><img src="https://static.files.bbci.co.uk/bbcdotcom/web/20260609-143108-fe43574f32-web-3.9.0-5/grey-placeholder.png" /><img src="https://ichef.bbci.co.uk/news/480/cpsprodpb/c9b5/live/8cd592a0-60da-11f1-82ca-1380a42b6773.jpg.webp" />Lyon &; Turnbull/PA</figure>
<p>A painting bought for less than $100 (£75) in a US charity shop in the 1960s has sold for almost £190,000 at auction.</p>
<p>Art teacher Helene Plotkin bought the work by Scottish Colourist FCB Cadell in White Plans, New York in 1966, unaware of its true value.</p>
<p>The painting, Interior: The Lady in Black, hung in her living room for 60 years &#8211; but the artist&#8217;s signature was illegible and was only recently identified.</p>
<p>It sold for £189,200, including buyer&#8217;s premium, in Edinburgh as part of Lyon &; Turnbull&#8217;s Scottish painting and sculpture auction.</p>
<p>The background to the painting only became clear when Helene&#8217;s son Barry began his own research into it and took it for a valuation last year.</p>
<p>The signature in the upper right of the picture was deciphered using AI and specialists at the auction house Lyon &; Turnbull were able to confirm the artist as Francis Campbell Boileau Cadell.</p>
<p>FCB Cadell is one of the four artists known as the Scottish Colourists, who was active early in the 20th Century.</p>
<p>He is renowned for his stylish portrayals of Edinburgh New Town interiors and his vibrant, simplified still lifes.</p>
<figure><img src="https://static.files.bbci.co.uk/bbcdotcom/web/20260609-143108-fe43574f32-web-3.9.0-5/grey-placeholder.png" /><img src="https://ichef.bbci.co.uk/news/480/cpsprodpb/019f/live/20ec79c0-60e2-11f1-82ca-1380a42b6773.jpg.webp" />PA Media</figure>
<p>Helene, who is now 88 and lives in Florida, said the painting stood out when she first spotted it.</p>
<p>&#8220;My background in art history and studio practice drew me to this piece instantly,&#8221; she said.</p>
<p>&#8220;The painting had an undeniable, regal presence, but it was the colour theory at play that held my attention.</p>
<p>&#8220;The way the pastels were integrated into the composition was both interesting and bold – it was clearly the work of a significant hand with a deep understanding of light and form.&#8221;</p>
<p>Barry said the family were amazed to find out who the artist was having grown up with picture on the wall.</p>
<p>He said: &#8220;We were, as you can imagine, delighted and astounded when we found out the identity of the artist and of the model.</p>
<p>&#8220;For mum, it was confirmation of her artistic eye and ability to recognise great talent.&#8221;</p>

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