‘Dragon Ball’ Officially Scores a Major Streaming Hit With Its Latest Release

Lade Omotade is a News and Features Author at Collider, covering everything from casting announcements and streaming trends to behind-the-scenes stories and the cultural impact of today’s biggest film and TV franchises. Since joining the team in 2024, she has written more than 1,000 news stories, with her work also cited by outlets like AOL and IMDb.

Dragon Ball, which has been around for over 40 years, is gaining popularity once again thanks to its latest release. Created by Akira Toriyama, the Japanese franchise follows the adventures of the protagonist, Son Goku, from childhood through adulthood as he trains in martial arts. Along the way, he befriends several people, starts a family, discovers his alien heritage, and battles a wide range of villains. Many of them, like him, seek the mystical orbs known as the Dragon Balls to summon a wish-granting dragon.

The popular manga spawned several beloved anime series, including Dragon Ball and Dragon Ball Z, which aired in Japan from 1986 to 1989 and from 1989 to 1996, respectively. It has also inspired nearly two dozen animated feature films and three television specials. Among these franchise entries is a recently released anime series that remastered the early portion of Dragon Ball Super with a faster pace and updated visuals. This may, of course, remind fans of Dragon Ball Z Kai, which aired from 2009 to 2015 as a revised version of Dragon Ball Z.

Released on October 11, 2026, Dragon Ball Super: Beerus is a new anime bringing viewers back to the Dragon Ball universe. This month, the series has already climbed the Disney+ charts globally, as well as the Prime Video and Hulu charts in Japan, and the Netflix charts in South America and parts of Europe and Asia. Additionally, the fantasy anime reached the top spot on HBO Max earlier this week in Central and South American territories, including Argentina, Mexico, and Peru. At the same time, it has ranked among Crunchyroll‘s Top 10 titles for over a week in the U.S., the UK, Spain, New Zealand, Italy, Australia, and France.

Four worlds and four completely different ideas of what a good life
looks like. This is where you belong, what it would ask of you, and what you would get back in
return.

You belong somewhere old enough that the mountains have names and
somebody can still tell you who gave them. Middle-earth is for people who think the right
thing is worth doing even when it will not be finished in their lifetime.

• This is the only world on the list where doing good is understood as a very long defeat,
  fought anyway, by people who will never see how it ends.
• You are drawn to grandeur, to white cities and deep forges and the sense that almost
  everything you touch is older than your entire family line.
• The Rings of Power is set in the last good age before it all goes wrong, which gives
  every quiet scene in it a slightly unbearable weight.
• You would take the hard road, and you would take it on foot.

You want the sea, a crew, and absolutely nobody telling you where
you are allowed to go. The Grand Line is the world for people whose main ambition in life is
finding out what is over there.

• One Piece has run for decades on one very simple engine, which is a group of people who
  each want something impossible and have decided to go and get it together.
• You collect people. Your ideal crew is a set of misfits who were each written off
  somewhere else before you turned up and offered them a better idea.
• The world is enormous and deliberately ridiculous, and the emotional gut punches land
  harder because of that rather than in spite of it.
• You would set sail knowing the map runs out, which is more or less the entire point of
  it.

You would rather be feared and useful than liked and useless. The
Continent is a world where the monsters are the straightforward part of the job and the
people are where it all gets complicated.

• Witchers get paid to do what nobody else will and resented for existing at all, which is
  a trade most people would refuse and you would probably accept.
• You have no real illusions about which side is the good one, largely because on the
  Continent that question tends to have a disappointing answer.
• The best of these stories are not about the fighting. They are about somebody with a
  rigid code being repeatedly cornered into caring about people.
• You would take the coin, finish the job properly, and be out of town before the story
  got told wrong.

You want the myths to be real and loose in the actual world, and
you want to find out at about thirteen that you were never anywhere near as ordinary as
everybody kept telling you.

• Percy Jackson takes the oldest stories we have and drops them into car parks and diners,
  which makes the gods considerably funnier and a great deal worse.
• You would be the kid every school gave up on, who turns out to have been built for
  something nobody thought to test for.
• The series is genuinely about friendship rather than destiny, and it says so out loud
  every time a prophecy tries to get in the way.
• Camp Half-Blood is the real fantasy here: a place where the thing that made you
  difficult everywhere else is the thing that makes you belong.

Is the Latest ‘Dragon Ball’ Series Worth Watching?

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    Image via Toei Animation</figure>