Aaron Sorkin’s ‘Social Reckoning’ is off to a weak start

So maybe a movie about Senate hearings and algorithm changes was never going to be a big hit. Or maybe “The Social Reckoning”‘s real audience is among older moviegoers who have only returned sporadically to theaters. And I wonder if critiquing Facebook feels a bit less urgent to audiences who are more likely to be losing sleep over AI.

Maybe just as importantly, the new movie’s reviews just aren’t very good. (For what it’s worth, I enjoyed “The Social Reckoning” but will fully admit that it’s overloaded Sorkin’s trademark speechifying. And I couldn’t help dreaming about a version directed — like the original — by David Fincher, with a score by Trent Reznor and Atticus Ross.)

 “Musk,” meanwhile, made $69,000 during its opening weekend in four theaters. It will roll out more broadly in the coming weeks, but given its length and subject matter, the documentary will probably reach many more viewers once it starts streaming on HBO Max.