Entertainment

Jessica Chastain’s 93-Minute Supernatural Thriller Officially Arrives on Digital This Week

Nairavoice · Nov 8, 2026 · 5 min read

He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema.

After a rather front-loaded theatrical run, a critically panned new horror movie starring Jessica Chastain is all set for its digital debut. The movie delivered a solid opening despite the poor reviews, but was unable to keep the momentum going. This weekend, it will complete a full month of release in theaters, having passed its final box-office milestones both domestically and worldwide. Chastain has had a successful run in the horror genre, although the new movie is her worst-performing scary movie, both critically and commercially.

It debuted theatrically in October and grossed $27 million in its opening weekend at the domestic box office. This was a higher debut haul than that of DC’s Clayface, which opened a few days later. Unlike that film, however, Chastain’s horror movie received poor reviews. It was directed by Rob Savage, who broke out with a couple of acclaimed micro-budget horror movies during the pandemic and made his Hollywood studio debut with the successful Stephen King adaptation The Boogeyman.

Starring Sophie Thatcher, The Boogeyman grossed more than $80 million worldwide against a reported budget of $35 million. Savage’s new film cost significantly less and has made considerably more at the box office so far. Produced on a reported budget of less than $20 million, the movie has generated around $115 million globally. By comparison, Chastain’s 2013 horror film Mama grossed nearly $150 million against a reported budget of $15 million.

Four franchises, four completely different ways of getting underneath
your skin. This is the one built out of your particular fear, why it works so well on you, and what
it would leave behind.

Your nightmare does not wait outside the door. It waits for you
to close your eyes, which you are going to have to do eventually, because nobody has ever
won that particular argument.

Freddy is horror’s cruellest idea: a threat that lives in the one place you cannot
guard, cannot lock, and cannot avoid forever.
You are the one who is fine during the film and wide awake at two in the morning. Your
own head is where this does its damage.
These films understood exhaustion as a horror engine. The kids on Elm Street do not lose
because they are weak. They lose because they are tired.
You can lock every door in the house. You still have to sleep.

Your nightmare is not really the doll. It is the face of the
person you tell, and the way they decide, very kindly, that you have imagined all of it.

Chucky works precisely because he is absurd. That is the trap: the more accurately you
describe him, the less anybody is going to believe you.
You are the one shouting at the screen because the characters are not listening. You
know that feeling from real life too.
The franchise is at its best when the adults in the room are the real obstacle, and you
have met those adults.
By the time somebody finally believes you, you will have handled most of it on your own.

Your nightmare has your number, knows your name, and has almost
certainly been inside your house before. The worst part is that you already know them.

Scream is the only one of these where the killer takes the mask off and turns out to be
somebody who was at the party.
You are the person who calls the twist out loud before it lands. You watch people the
same way you watch films.
The franchise made the rules of horror part of the plot, which means the survivors are
the ones paying attention. You would be paying attention.
Everybody is a suspect, including the person who just offered to walk you home.

Your nightmare is not really about you. It is about the people
asleep down the hall, and the feeling that whatever is here is not interested in leaving.

The Conjuring films are domestic horror. The house, the family, the perfectly ordinary
room that quietly stops feeling ordinary.
Your instinct is to get everybody into one room. Your fear is protective rather than
personal, which is rarer than it sounds.
This is the one franchise where belief is the weapon. The people who come through it are
the ones who are not alone and refuse to be.
Whatever is here did not come for you. It came for the household, and you are the one
standing in the hallway.

Here’s When You Can Watch Jessica Chastain’s Horror Movie at Home

Directed by Andy Muschietti, Mama is now sitting at a 64% score on the aggregator website Rotten Tomatoes. Chastain and Muschietti reunited on It: Chapter Two, which holds a 62% score. Chastain’s new horror movie, Other Mommy, appears to have settled at a 19% score on the aggregator website, where the consensus reads, “Despite a valiant turn from Jessica Chastain as the spectral embodiment of a smothering parent, Other Mommy proves too silly for its intermittently effective jump scares to add up to a spooky whole.”

Image via Universal Pictures
Image via Universal Pictures
Image via Universal Pictures
Bernard Walsh /© Universal Pictures /Courtesy Everett Collection
Image via Universal Pictures

Image via Universal Pictures

Bernard Walsh /© Universal Pictures /Courtesy Everett Collection

Image via Universal Pictures

Image via Universal Pictures
Image via Universal Pictures
Image via Universal Pictures
Bernard Walsh /© Universal Pictures /Courtesy Everett Collection
Image via Universal Pictures

Image via Universal Pictures

Bernard Walsh /© Universal Pictures /Courtesy Everett Collection

Image via Universal Pictures

Other Mommy is based on the novel “Incidents Around the House” and produced by horror maestro James Wan. It also features Jay Duplass and Arian Moayed. Chastain, best known for roles in Zero Dark Thirty, The Tree of Life, The Martian, and Interstellar, will soon headline the Netflix movie Heartland, due out on November 13. Other Mommy will debut on the PVOD market on November 10, along with Brad Pitt‘s survival thriller Heart of the Beast. Stay tuned to Collider for more updates.