HBO's 36-Episode Western Masterpiece Is The Anti-Bonanza
A lot of HBO’s best original programming has gotten its due flowers — The Sopranos, The Wire, and Six Feet Under are all routinely ranked among the greatest TV shows ever made — but Deadwood remains criminally underrated. Where The Sopranos had brought a home-movie sense of verisimilitude to the gangster genre, and The Wire had brought an intense realism to the police procedural, Deadwood brought a shocking historical accuracy to the western.
Created and mostly written by David Milch, Deadwood chronicles the titular territory’s expansion from a tiny little encampment to a full-blown town with statehood and elections and some semblance of law and order. Deadwood has a huge, sprawling ensemble full of fascinating characters, but it’s anchored by the bitter feud between Ian McShane’s sadistic pimp Al Swearengen, the guy who wields all the money and power, and Timothy Olyphant’s hardware salesman-turned-reluctant sheriff Seth Bullock, the guy tasked with enforcing the law and keeping the peace.
Deadwood did for the TV western what The Wire had done for the cop show; it threw all the tired tropes and clichés and Hollywood fantasies out the window, and did away with the comfort of closure to capture something much more realistic and lifelike. Deadwood subverted the nostalgic, romanticized portrayal of the Old West from classic western shows like Bonanza and Wagon Train and Little House on the Prairie, and instead presents a much meaner, grittier, more historically accurate look at life on the frontier.
Deadwood Is Brutal In Its Historical Accuracy
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Deadwood is as brutal as it is brilliant. It’s one of the finest TV dramas ever produced, but it’s not an easy watch, because Milch prioritized historical accuracy over everything else. He wasn’t interested in taking too many artistic liberties to make the story more streamlined or cinematically compelling; he told the story of Deadwood as it happened, as authentically as possible.
Some of the profanity has been called into question (frequent use of F-words, C-words, and MF-words is more of an HBO thing than an Old West thing), but for the most part, Deadwood stays true to historical record. No dramatization of past events is going to be 100% historically accurate, but Deadwood is much closer to an authentic, realistic portrayal of the Old West than most other TV westerns.
Deadwood Is Mindhunter For Legends Of The Wild West
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Almost everyone in the cast of Deadwood is based on a real person — even the characters who aren’t directly based on a single person are usually composite characters of a few different people — and it’s a nice mix of iconic figures and relative unknowns. No one knew who Bullock and Swearengen were before Deadwood came along, but a few western icons drifted through Deadwood in its time, including none other than “Wild Bill” Hickok, who plays a big part in season 1.
Deadwood did for the legends of the Wild West what Mindhunter did for infamous 20th-century American murderers. In the same way that Mindhunter is a who’s-who of ’70s and ’80s serial killers, Deadwood is full of cameos by Wild West legends like Wild Bill and the Earps, with Calamity Jane in a major supporting role. Robin Weigert gives one of Deadwood‘s finest performances as Jane. At first, she just seems like an annoying, belligerent drunk. But as you get to know her, you see why she drinks, the traumas she’s trying to drown out, and quickly become endeared to her, so much so that you’re rooting for her to get a happy ending.
Deadwood deserves to be recognized alongside fellow early-oughts HBO masterpieces like The Sopranos and The Wire. Its writing and acting are every bit as sharp, and its social commentary is just as profound and incisive, but it’s rarely mentioned in the same breath.
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